If scientific knowledge is always mediated through graphs, grids, and models, what kinds of seeing do these interfaces produce, and what do they exclude? What kinds of realities emerge when vision is reconfigured through selection?

If representation precedes experience, where do intuition and ambiguity sit within systems that claim neutrality? Can scientific imagery be read not only as evidence, but as material for fiction, myth, and alternative ways of sensing and perception?

Sculptural elements extend these systems of representation into material form, where data becomes myth and body.

To measure the world is human; to believe that measurement exhausts it is a dangerous fiction.

Credits: NASA’s Solar Dynamics Observatory (SDO) for open-source solar data, Anton Vasiliadis, antonvaudio.uk ,for creative technology, and The Schilizzi Foundation scholarship.